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Josquin Desprez: In memoria mea

Josquin Desprez: In memoria mea

Rebecca Stewart
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About the album

Dr. Rebecca Stewart together with the vocal ensemble Seconda Pract!ca explores the music of Josquin Desprez and his contemporaries Brumel and Willaert, commemorating the 500th anniversary of his death. The central piece of this recording is the famous „Missa Mater patris“ by Josquin.

The musicians

Ensembles Cantus Modalis & Seconda Prat!ca

Maestro di cappella – Dr. Rebecca Stewart
Superius – Florencia Menconi
Altus – Jonatan Alvarado, Bram Verheijen
Tenor – Emílio Aguilar, João Luís Paixão
Bassus – Nuno Atalaia, Bram Trouwborst

 

Release date:

Catalogue number: CD-16325

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tracklist

Tracklist of "Josquin Desprez: In memoria mea"

01. Introitus Requiem eternam for the mass of the dead 2:24
(sung as the ‘cantus prius factus’ of Nymphes des bois)
Josquin Desprez (ca.1450-1521)
02. Nymphes des bois / Requiem eternam a5 1 5:30
Antoine Brumel (ca.1460-1512/3)
03. Mater patris et filia a32 3:49
Josquin Desprez
Missa Mater patris a4, a2, a53
04. Kyrie 4:47
05. Gloria 6:26
06. Credo 9:55
Sanctus
07. Sanctus 2:17
08. Plenisunt 1:53
09. Osanna I 2:31
10. Benedictus 2:31
11. Osanna II 2:36
Agnus Dei
12. Agnus Dei I 1:28
13. Agnus Dei II 1:42
14. Agnus Dei III 4:21
15. Introitus Requiem eternam 2:25
(c’-f canon of the cantus prius factus of Absolve quesumus domine)
16. Absolve quesumus domine / Requiem eternam a65 5:07
17. Introitus Requiem eternam 2:25
(f-c’ canon of the cantus prius factus of anon. Absolve quesumus domine)
18. Absolve quesumus domine / Requiem eternam a76 – Anon. (Adrian Willaert?) 8:22

booklet text

recording information

Recorded june 4-7, 2021

Location: Abdijkerk The Hague, The Netherlands
Balance engineer & recording producer: Jonas Niederstadt
Corporate Design: Tim+Tim, timandtim.com
Cover photography: Prof. Dr. Klaus Pietschmann
Booklet photography: Carolina Cortés Zambelli

Produced by Jonas Niederstadt

©+℗ 2021 Carpe Diem Records

press reviews

Gramophone Magazine

"If you’ve ever caught yourself regretting the uniformity of performance approaches to Renaissance vocal music, this disc may be for you. Rebecca Stewart has been an idiosyncratic voice in the field for many years (not least as erstwhile director of Cappella Pratensis), championing alternative approaches to tempo and vocal production. Here she works her peculiar magic on Josquin [...]. The default dynamic is soft, though waxing and waning constantly, sometimes on the same note. Her singers, particularly Cappella Pratensis, have sounded more astringent in the past (another Stewart trademark), but here they hit a sweet spot that tickles the ear without becoming grating ..." (Gramophone Magazine 12/2021)